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Divine Bansuri - Tutorial 9 - Komal Swar ( Half Notes ) in Bansuri - Flute Lessons Beginner Basics

Komal Swar ( Half Notes ) in Bansuri

Key Concepts

  • Komal Swar ( Half Notes ) in Bansuri

Practice Exercises

Playing Sudh Ma

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SaReGaMaPaDhaNiSa

Ma (middle octave) is played by slightly opening the hole that would produce Teevra Ma.

Tip: Slightly open the hole (approximately 20%), compared to fully opening for Teevra Ma. Recommended to move your finger up/down, not sideways, for better speed and control.

Playing Komal Re

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SaReSaRe

Re♭ (middle octave) is played by slightly opening the Sa hole.

Tip: Slightly open the Sa hole to achieve Komal Re. Practice slowly for clear sound.

Playing Komal Ga

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Ga

Ga♭ (middle octave) is played by slightly opening the Re hole.

Tip: Slightly open the Re hole (approximately 20%). Recommended to move your finger up/down.

Playing Komal Dha

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Dha

Dha♭ (middle octave) is played by slightly opening the Pa hole.

Tip: Slightly open the Pa hole (approximately 20%). Recommended to move your finger up/down.

Playing Komal Ni

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NiNi

Ni♭ (middle octave) is played by slightly opening the Dha hole.

Tip: Slightly open the Dha hole to achieve Komal Ni. Practice slowly for clear sound.

Raga Yaman Excerpt

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Ma

Demonstration of Teevra Ma in Raga Yaman.

Tip: Raga Yaman uses Teevra Ma, which is played by fully opening the hole that would produce Sudh Ma.