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Divine Bansuri - Tutorial 5 - Theory : Musical Notes, Octave, Sargam, Saptak - Flute Lessons

Theory : Musical Notes, Octave, Sargam, Saptak

Key Concepts

  • Theory : Musical Notes, Octave, Sargam, Saptak

Practice Exercises

Part 1

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SaReGaMaPaDhaNiSaNiDhaPaMaGaReSa

Ascending from middle Sa to upper Sa, then descending back to middle Sa, using all Shuddha Swaras.

Tip: The speaker explicitly states that all Shuddha Swaras (सुधा गा मा बा सुधा सुधा नी) are used. There is a discussion about identifying 'Sa' (tonic) either by closing six holes or three holes on the bansuri.

Part 2

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PaPaPa

Demonstrating the note 'Pa' across Mandra (lower), Madhya (middle), and Taar (upper) octaves.

Tip: The bansuri's vocal range is shown to extend from Mandra Saptak Pa to Taar Saptak Pa.